Melbourne Hall

DSCF3463I’ve just found a new favourite garden.  Every so often, like most of us I suspect, I  visit a garden and go…wow I could live here but maybe I’d just alter this, move that, add a few of this or thats and so on… but a couple of weeks ago I discovered somewhere that is well-nigh perfect.   And I’m clearly not the only one who thinks that.  The garden’s website proudly banner-headlines Philip Ziegler’s comment that “Melbourne Hall was, and mercifully is, one of the most exquisite of the smaller stately homes of England, while the formal gardens… are as close to perfection as any in the country…“.

DSCF3537The gardens at Melbourne Hall are probably the best surviving example of their period, classically formal in an Anglo-French Baroque mix.  Of course, as Robin Lane Fox put it in a recent article “a hectare or so of enclosed garden is hardly Versailles in Derbyshire, but the use of space is extraordinarily interesting.”  The layout while seemingly simple, is subtly complex, making it a precis of all that is best in the gardens of the time.  And to make it more interesting still, the gardens have continued to evolve, adding touches of colour to the range of greens that otherwise dominate.  So perhaps it’s not surprising that more than 20 garden features are Grade I listed including  the intricate metalwork gazebo that I mentioned at the end of last week’s post on Treillage. So read on to find out more…screenshot

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Treillage

from a Book of HOurs, worksho of Jean Colombe, Bourges, late 15thc.

from a Book of Hours, workshop of Jean Colombe, Bourges, late 15thc.

Treillage is just a posh [and French] word for trellis!  Its one of the oldest forms of garden structure and in medieval and Tudor times was often called ‘carpentry work’.  Although the idea of trelliswork sounds simple and rustic,  in its Baroque heyday it could be immensely sophisticated and complex.

from John James translation of Dezalliers Theory and Practice of Gardens, 1712

from John James translation of Dezallier’s Theory and Practice of Gardens, 1712

Later it was generally superseded by either a return to more rustic woodwork for garden structures or, for more elaborate work, by  wrought and cast iron. Read on to find out more about this art form which must be due for a revival!

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Another side of Gertrude…

screenshotWe probably all have a vision of Gertrude Jekyll based on the famous photos of her in later life – a dumpy but formidable old lady with dark clothes reaching to the ground and walking in a garden with the aid of a stick. But that is not how she saw herself and there was definitely another side to her: “I ought to know I am quite an old woman. But I can still –  when no one is looking –  climb over a five-barred gate or jump a ditch.”

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Gertrude Jekyll 1843-1932, possibly taken at in her Munstead Wood garden. Country Life Picture Library

 

 

 

In 1908 she wrote a lot about her own childhood in a book on basic botany and horticulture  for young people called simply  Children and Gardening.screenshot        The quotes and the rest of the images in this post all come from that. There is a  link to the full text at the end of the post.

Read on to find out more about an unexpected side to one of Britain’s best known and loved gardeners.

 

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Bunnies – but not chocolate Easter ones!

detail from the Queen Mary Psalter, BL Royal 2 B VII  f. 156 

detail from the Queen Mary Psalter,       c.1310-20, BL Royal 2 B VII  f. 156 

I was at Kew the other day and encountered a large branded golden bunny on the lawn: a symbol of how commercial everywhere, however historic and significant, has had to become in recent years.  One of the greatest botanic gardens and scientific research centres  in the world, reduced to reminding us that “Chocoholics of all ages can follow an Easter trail around the Gardens to collect clues before heading over to one of the on-site shops or gates to pick up their chocolate treat.”

detail from the Queen Mary Psalter, BL Royal 2 B VII  f. 156 

detail from the Queen Mary Psalter,       c.1310-30BL Royal 2 B VII  f. 156 

I suppose, in these days of austerity, it could be a lot worse, and there are obviously two sides to everything. Kew are able to tie it in with some good educational work, and yes maybe  it might help  introduce future generations to the joys of horticulture and history.  Nevertheless, despite the fact that I know I am a grumpy old  cynic, it’s hardly a lesson in national pride in the Year of the Garden.

But apart from a sigh of exasperation at the levels to which Kew has to go to raise cash it alerted me to the fact that it’s Easter and that I hadn’t planned anything remotely appropriate for this week’s post. So, rant over, bunnies it is – although non-chocolate ones! Continue reading

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Artificial Stone 2: Eleanor’s enterprise

The River God from the terrace at Richmond etc etc

The River God, a Coade stone sculpture by John Bacon, Ham House, Richmond, National Trust

Monty Don has done it again.  A couple of months ago I wrote a post about scything and lawns and he then immediately demonstrated how to do it on The Secret History of the British Garden.   Next, I was writing this post about Eleanor Coade and before it was finished Monty talked about her in his next programme.   So, not only have I delayed posting this for a while, but  I’m keeping quiet about my plans for future posts  in case he has a spy in my office!images

I hope if you saw his brief introduction to Eleanor Coade it won’t spoil this more in-depth coverage of a fascinating 18thc businesswomen.   I’m also pleased that he didn’t know, any more than I do exactly how and why  the daughter of an 18thc Devonian wool merchant and bankrupt ended up running a busy industrial operation in London, nor how she managed to make such a success of the artificial stone that carries her name.   Continue reading

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