Montreal is home to one of the great botanic gardens of the world. You might be forgiven for thinking that since Canada was once part of the British Empire that the garden was one of the wide network linked or founded by Kew in the 19th century. But it wasn’t.
Instead, like the gardens at Niagara I wrote about last week, it was only set up in 1931 in part as response to unemployment caused by the Great Depression. Its great protagonist was a Catholic monk, enthusiastic botanist, and Quebec nationalist, Brother Marie-Victorin.
He was a charismatic and persuasive figure and after a long campaign convinced the authorities that laying out a new botanic garden would not only be a good way of providing employment but also bring in tourists and of course be good for encouraging research and interest in plants and botany.









Art has always had a place in gardens. Historically statues, columns, obelisks, urns, murals and even gnomes have all been very popular additions but more recently there’s been a trend to create sculpture gardens of a different kind, exhibition spaces where the garden provides a setting for contemporary work often on a temporary basis.
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