Holkham

Where do I start in trying to describe Holkham?  And it’s not just me. Historic England’s  Register of Parks and Gardens of Special Historic Interest says : ” Because of the complexity of this site, the standard Register entry format would convey neither an adequate description nor a satisfactory account of the development of the landscape” and then proceeds to give a 2300 word brief summary of one of the the largest and most significant landscapes parks in the country.

The Holkham Hall estate is on the north Norfolk coast, near Wells-next-the-Sea and is enormous to put it mildly. The scale almost has to be seen to be believed. The walled park around the house  stretches about 3km east to west and 4 km north to south, and covers an area of  over 1200 ha.   While its landscape of pasture, woods and water look entirely natural they are  largely a creation of the 18th and 19th centuries. Indeed the  estate’s  development much of which is recorded in Holkham’s extensive archives reads like a roll-call of the great and good in garden and architectural history.

It was laid out between the 1720s and 1760s by Thomas Coke, [later earl of Leicester] with the  help or advice  of Lord Burlington, William Kent, Colen Campbell and Matthew Brettingham. Later Lancelot Brown, William Emes, Samuel Wyatt and Humphry Repton, all had associations with the site whilst in the mid-19thc more work was carried out  by William Burn, William Andrews Nesfield, Samuel Teulon and Thomas Sandys.

 

So a trip to see Holkham was bound to be eye-opening!

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Ferneries

My post  a couple of weeks ago about Pteridomania seems to have created quite a lot of interest, which goes to show that ferns still manage to capture our attention in a big way, although probably still not as much as in the 19thc at the height of the fern fever craze.

But all good things come to an end, or at least slow right down, and so it was with fern fever. After WWI like so many other  specialised forms of gardening, upkeep of ferneries became more difficult because of labour shortages and the expense of maintenance .

Luckily while most of the simple fern gardens have simply just disappeared,  a surprising number of specially constructed ferneries still survive,  although, judging by the number of ruins and the amount of documentary evidence, they are a mere fraction of the number that must have existed.

I’ve just picked out a few to illustrate their range and variety – and have concentrated on three success stories.

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Scotney

I’m sure, like me, you’ve often coveted a garden that you’ve visited.  Maybe it’s a grand estate with sweeping vistas, or a  beautiful garden building that takes your eye  or perhaps   somewhere that has wonderful planting. What wouldn’t we do to live there?  Then, coming down to earth with a bump, we think of the upkeep, the worry, the expense and the crowds.  But there’s one place where I think it would all be worthwhile, so if one day you hear that the National Trust announce that the original Scotney Castle has been stolen  you’ll know it was me.

Who wouldn’t fall in love with Scotney at first sight?  I did within minutes of my first view of the castle across the moat donkey’s years ago and I’ve done so all over again on every subsequent visit, although the last time was probably 8 or 10 years ago. So when to came to choosing somewhere to visit for a birthday treat last weekend Scotney was top of the list, and luckily we managed to get timed tickets.

The big question was, of course, would it  it live up to my memories and expectations?

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A Young Man Among Roses

I’m sure that you’ll recognise this picture.   Its custodian, the V&A, says it “is perhaps the most famous of English miniatures. It epitomises the romantic Elizabethan age and is a masterpiece of miniature paintings by its greatest exponent, Nicholas Hilliard. The large elongated oval shape of this miniature was never repeated in Hilliard’s work and must relate to the now unknown purpose of the object. Possibly it was incorporated into an expensive object such as a looking-glass.”

It’s a portrait of young man in fashionable court dress leaning against a tree behind a thicket of roses. What is there one can possibly say about it that isn’t that obvious.  As anyone who’s ever looked closely at paintings of this period will tell you, there’s an awful lot! So here are  some questions. Who is he?  Why is dressed as he is?  Why is he posed in this way? Are the roses significant?  and what does the inscription mean – did you even notice the inscription?

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Pteridomania

My partner recently had a serious attack of Pteridomania!  As a consequence there’s hardly a corner of 0ur tiny back garden that doesn’t show signs of this terrible ailment. There is evidence of this not only out  in the open but also hidden away underneath other things, and its even affected the bathroom.     The problem is that the disease is contagious so unless I’m careful I’ll succumb too and I don’t think that Pfizer or Astra Zeneca have produced a preventative vaccine  yet.  But luckily it isn’t a physical complaint and doesn’t require medication just the occasional quick misting or another surreptitious  addition to the garden.  

 

We’d have been at home in mid-Victorian Britain when Pteridomania first became a common complaint, but at least we don’t do what the Victorians did and  pillage the countryside for a quick fix.

As I’m sure you realised you won’t find Pteridomania in the NHS book of transmissible diseases. In fact as a malady it was only invented by Charles Kingsley, more famously author of ‘The Water Babies’, in his book ‘Glaucus’ in 1855.  He used it to describe a form of mania that swept through Britain in the mid-19thc and that he claimed mainly affected young women…

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