
Detail of a hanging sculpture in Chihuly’s Glass Hall DM Nov 2019
I was sorting out a huge pile of magazines the other day as it was raining, and found last summer’s edition of Kew Magazine which featured an article on Dale Chihuly and his glass sculptures, a large number of which were installed to spectacular effect in the gardens at Kew last year.
I’d been to see the exhibition wondering how can something so fragile as a glass sculpture could survive in a garden environment and almost asking why would you bother anyway. After all glass isn’t a particularly natural material and it clearly wasn’t go to blend in like David Nash’s giant wooden installations from a few years back.

Instead Chihuly’s work does exactly the opposite and stands out like a beacon or maybe for some people like a sore thumb. Based on plant forms but with colours, at least as strong as the brightest flower, some of the pieces almost screamed because of their sheer size and enormity. Others clashed and contrasted as well as complementing their green surroundings or their architectural setting. Whatever you think of his work it went down well with the public at Kew and with over 900,000 visitors it was their most popular exhibition ever at that point.
So when I was lucky enough last October to visit friends who have moved Seattle, we just had to visit Chihuly’s Garden and Glass Exhibition which is, according to Trip Advisor, Seattle’s No. 1 tourist attraction.
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