Hatshepsut and Thutmosis

We tend to think of Botanic Gardens as being very much a western invention, and that the earliest ones  were founded in  northern Italy in the 16th century.  Of course it all depends what you mean by a botanic garden,  but there’s certainly an arguable case for saying that botanic gardens in the widest sense of the word – as large deliberately gathered large collections of plants – existed hundreds, indeed thousands of years, before the foundation of the botanic gardens of Padua, Pisa or Oxford.

The earliest example I can find of plants being deliberately hunted down  and collected come from ancient Egypt around 1500 BC where two pharaohs were so proud of their achievements that they not only ordered the deliberate  collecting of plants but put them on their temple walls.

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Dickens and his Garden

Charles Dickens,  1863, The Morgan Library & Museum,

I don’t suppose many of us think of Charles Dickens as being a gardener. Novelist, Social reformer, commentator, even actor/performer  yes, but gardener, probably not. Yet Dickens was very interested in gardens and gardening and thought England itself was  ‘the one great garden’, with its ‘changes of glorious light from moving boughs, songs from birds, scents from gardens, woods and fields’.

Although he did not claim to be a gardener he wrote of “the repose and delight to be found in gardening” adding “probably there is no feeling in the human mind stronger than the love of gardening.”

And once you start to think about it, gardens and the love of plants play an important role in several of his novels.  They are a place to escape the harsher reality of the world many of his characters inhabit. So my idea was to look at some gardens in his books, but on the way I began investigating Dickens own garden at Gad’s Hill Place and that’s as far as I got for reasons which will I hope become apparent.

But why the red geraniums?

from Gad’s Hill Place & Charles Dickens, by Edwin Harris, 1910

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A Triple Portrait

I often get asked to lecture about gardens and landscapes in art, and although I like talking about pictures that people probably don’t know, I always like to include one that everybody thinks they know very well but actually probably don’t.

As you will probably have gathered it’s Gainsborough’s famous double portrait Mr & Mrs Andrews.  Despite its popularity I think there still a lot of things that viewers don’t always notice, and certainly the background story to the painting is usually something of a surprise.

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The Statue, the Square and the Slippery Baron

We think our public parks are suffering from neglect but even after years of austerity and poor maintenance they haven’t quite fallen into the same state of decay as the well-known public space being described here in a book named Gaslight and Daylight, published in 1859 by George Augustus Sala, a friend of  Charles Dickens and a contributor to his magazines.

“There was no grass, but there was a feculent, colourless vegetation like mildewed thatch upon a half-burnt cottage. There were no gravel-walks, but there were sinuous gravelly channels and patches, as if the cankerous earth had the mange. There were rank weeds heavy with soot. There were blighted shrubs like beggars’ staves or paralytic hop-poles…on their withered branches, strange fruits- battered hats of antediluvian shape, and oxidised saucepan lids… The surrounding railings, rusty, bent, and twisted as they were, were few and far between. The poor of the neighbourhood tore them out by night, to make pokers. In the centre, gloomy, grimy, rusty, was the Statue – more hideous (if such a thing may be) than the George the Fourth enormity in Trafalgar Square – more awful than the statue of the Commendatore in Don Giovanni.”

That’s a bit of a difference from this painting of the same place just a  few decades earlier! You might be surprised to find out where it was.

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Anne and Osbert’s Pleasure Garden

HAPPY NEW YEAR!

We all have our favourite gardening books, whether for the quality of  the illustrations, -usually the first thing one  notices when flicking through – the quality of the writing – which takes more time to appreciate or perhaps for the style and approach the author takes.  My favourite scores highly on all three counts, and I wasn’t surprised to find it was also a favourite of several other people when I ran a course about garden writing recently. Published in 1977 and in print ever since it’s The Pleasure Garden by Anne Scott-James and Osbert Lancaster, and if you haven’t read it I hope by the time you’ve finished this post you’ll rush out and buy it immediately.

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