The Garden History Blog

detail from “The Great Fire of London”, unknown artist, c1670

Detail of “An Exact Surveigh of the Streets Lanes and Churches contained within the ruins of the City of London”  by  Leake & Hollar, 1667

Last week’s post ended on a gloomy note and said worse was to come. And there couldn’t have been much worse than the Great Fire of London of 1666 which  burnt 80% of the old walled city. In the aftermath  Moorfields was quickly overrun.  People set up shelters and tents, then wooden sheds and then shops until one of the walks became known as New Cheapside and was paved over.  The rails and trees were used as firewood and there was even debate about whether to allow brick-makers to dig for clay  “to incourage the more free and plentifull supply of Bricks for rebuilding”. It was nearly ten years before Moorfields were clear again and replanting and repair could begin.

After that although there was constant renewal of the walks it was against a background of threats of development and neglect, before, at the end of the 18thc, the builders eventually won the battle and most of Moorfields disappeared.

The booksellers of Moorfields using the rails of the walks as their counter, detail from an undated early 18th century print, private collection

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London from Braun & Hogenberg’s Civitates Orbis Terrarum of 1572. Moorfields is the pale green l-shaped area top centre and to the bottom right corner of the maps’ title

Finsbury Circus. Image from Historic England

Which is the oldest public park in Britain? Most books and websites will tell you that the first  funded from the public purse was Birkenhead Park which opened in 1845.  Others claim that the honour goes to  Derby Arboretum opened in 1840, although that was funded by a private benefactor. However there’s a strong case to be made for somewhere that was laid out well over 200 years earlier at Moorfields.

Say Moorfields to anyone in London and they’ll probably think of the country’s leading  eye hospital or maybe confuse it with Moorgate, the nearby busy tube station. In fact both the station and hospital were built on  parts of a series of planned public walks  just outside the capital’s Roman walls and only a few minutes walk  north from Guildhall, the centre of the City of London’s civic life.

Between 1606 and 1618 the three fields that made up The Moor  were laid out as “princely” public walks  as a symbol of  civic power and pride, following the latest European fashion.  However, things didn’t always go according to plan and  these days all that’s left  are two small open spaces: the sadly shabby “modernist” mess of Finsbury Square and the more sedate tree-filled green sanctuary of Finsbury Circus.

detail from a print of Old Bethlehem Hospital and Moorfields c.1700

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Art has always had a place in gardens.  Historically statues, columns, obelisks, urns, murals and even gnomes have all been very popular additions but more recently there’s been a trend to create sculpture gardens of a different kind, exhibition spaces where the garden provides a setting for contemporary work often on a temporary basis.

Sometimes such gardens can be rather quirky and today’s post is about a garden where nothing is quite as expected. It started life as a commercial market garden producing fruit and vegetables for the local markets, but has evolved over the past 20 years into a garden where although edibles still play a major role  the lead is now taken by art, but not of the conventional sort, and it’s even got its own cartoon book to explain its origins and purpose

For once I’m going to let images rather than words do most of the work this week  because the history of this garden is short and simple but  it typifies a growing trend of mixing horticulture with education and even entertainment,  with the garden as a destination for more than seeing some nice flowers and colourful vegetable beds.

Even its name makes a statement of intent..

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Buff Beauty

At one of our open garden days recently visitors were admiring a group of “Buff Beauty” roses which, despite the scorching heat and  weeks of drought, still managed to show a few flowers, and were asking about their origins. I confess to not having known that much so went away to find out.

It turns out they along with several others in my garden including “Penelope” and “Cornelia” are Hybrid Musks, a group developed about a century ago by an Essex clergyman and his sister, and which, although they weren’t that popular then, have not only stood the test of time but become extremely popular and robust additions to the garden.

So today’s post is about that vicar, the Rev Jospeh Pemberton, his sister Florence, and their gardeners Jack and Ann Bentall who were later to carry on their work creating a complete new family of hardy roses.

Penelope

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