The Bucks stopped here…

detail from A Prospect of Carmarthen

For about three decades in the mid-18thc two  brothers from Yorkshire, Samuel and  Nathaniel Buck, toured Britain every summer. They sketched towns, landscapes, estates and antiquities, and every winter they turned their sketches into engravings for publication.

Their work is an important source of evidence of what there was, and what has gone – including gardens – but it is also an important factor in understanding the development of the whole idea of what it meant to be British in the 18thc.

The Buck Brothers, 1774, British Museum

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Crackerbox Palace

Guess who…
from darkhorserecords

You probably recognize the title of this post and  know where it comes from. If you do you probably  recognize the man in the boater too. But anyone who knows me will be amazed  that I’ve used it because I have very little knowledge and even less interest in “modern popular music” and never have had.  So why have I been reading the lyrics of a couple of Beatles songs as well as the biography of one of the Fab Four?  And why am I writing about it on a blog about garden history?

The clue is in the  last 2 posts which  have looked at the extraordinary garden at Friar Park in Oxfordshire created  by Sir Frank Crisp between 1889 and his death thirty years later. Today I want to conclude the story with the story of  what happened to the estate after his death in 1919, before finishing  up [for a change] with some good news.  Because  Friar Park and its amazing alpine garden was saved by the man in the boater. It became “Crackerbox Palace” and then  paid its benefactor  back by showing him how wonderful gardening is and  making it his overwhelming passion. Continue reading

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The Henley Matterhorn

The front page of Alan Tabor’s fold-up map/guide to the garden c.1914

You might like to know there is a lecture about Friar Park on Wednesday 3rd Feb at 6.00 with a. recording available for a week  afterwards.

Booking via Eventbrite:

Last week’s post gave an introduction to Friar Park at Henley, the madcap garden project of Sir Frank Crisp.  Crisp was not only rich he was also imaginative and ambitious  – a good combination for someone never satisfied with what he had achieved in his garden.  As Gardeners Chronicle  said in 1899 “small wonder… Mr Crisp.. is ever making such alterations and additions as shall render it ever more interesting and beautiful.”

The whole site was eclectic, drawing on his interest in  medieval and Tudor history, but also his openness to new ideas and directions such as the fashion for the Japanese.  But it’s his Alpine garden which really bought the garden to public attention. It might make you want to giggle as much as admire but there’s no doubt that Frank Crisp had panache and a pronounced sense of humour… as well as a collection of gnomes.

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Sir Frank Crisp and Friar Park

Sir Frank Crisp, frontispiece of The Garden, vol 80, 1916

Sir Frank Crisp                                               frontispiece of The Garden, vol 80, 1916

Way back in March 2017 I wrote about gnome-loving eccentric, Sir Charles Isham, and at the time thought there couldn’t be anyone else quite as besotted with the little men in red hats. But I was wrong!  Don’t be fooled by this serious photo into thinking Sir Frank Crisp, a wealthy London lawyer, was another dull and boring worthy. He was actually a wealthy London lawyer with a difference, because he was also a jovial prankster, who built a Gothic revival  palace near Henley and then added a vast alpine/mountain garden to complement it, despite the fact that there aren’t any mountains near Henley. To make matters more interesting he then decided to people it.

So today’s and next week’s posts are going to be about  this philanthropic eccentric  who died 100 years ago on April 29th 1919,and his garden

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A Maiden’s Blush: the first book of Roses

detail of Rosa centifolia, the Bishop Rose

The British Library Rare Books room is not usually the place where people get over-excited, but occasionally there are Eureka moments. Sometimes they’re the result of long patient reference checking when you realise your original hypothesis is true, or ploughing through vast tomes for a good quote to prove a point or grab a reader’s attention and   sometimes they are simply serendipity. Today’s post is one such.

Rosa pendulina, or the Rose without thorns

Following a discussiion in one of the clkasses I teach, I had an idea for a worthy post on how and why women became widely involved in botany in the late 18thc and thought I’d call up a selection of books and magazines by women from the period to see if I could find anything interesting to write about.  They included a couple by an artist named Mary Lawrance who I thought, to judge from her brief Wikipedia entry might be interesting but probably wasn’t going to set the world on fire. See what you think?

Rosa gallica, red officinal rose

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