
detail from a sketch of the Eidophusikon by Edward Burney, British Museum
Last weekend I went to see a modern version of something that in 1776 gripped London like a fever. But rather than a medical crisis it was an all-embracing visual experience: a series of stories that involved landscape… & not static views of the countryside rather landscape that moved.
The story begins with the staging by the Swiss father and son team Pierre and Henri-Louis Jaquet-Droz, of their Spectacle mechanique in Covent Garden. Originally watchmakers they had branched out into building other mechanical devices and then travelled Europe exhibiting 4 pieces of their work. It was to inspire a Frenchman living and working in London to develop of one of the strangest of many strange 18thc inventions: the Eidophusikon.









As I arrived at the posh hotel I was staying in [bargain winter break prices I hasten to add] I was reminded of new work from each of those forums. At our 2015 conference we heard a paper about villa gardens on the Ligurian coast of Italy, and recently there was an essay prize entry on the exotic gardens created for new grand hotels along the French Riviera in the late 19th. As it happens I wasn’t in either France or Italy although there is a strong French influence, as you will have realised if you’ve worked out who did the painting and inspired the pattern that was on part of my bedroom wall and ceiling.
You must be logged in to post a comment.