Upton House & the Bearsteds

geograph-1565219-by-derek-harper

Bog Cottage at Upton House, © Copyright Derek Harper 2009 and licensed for reuse under this Creative Commons Licence.

Last week’s post gave an introduction to the history and  garden design of Upton House, near Banbury which is now in the hands of the National Trust. Although the underlying structure dates from the very end of the 17th/early 18thc, the garden owes most of its charm and sophistication to the family who bought it in 1927.

Walter and Dorothea Samuel, the 2nd Viscount Bearsted and his wife, probably didn’t buy Upton for its grounds but for its potential  as a country retreat with a difference. Upton was to house their extensive art collection, and to provide adequate accommodation for country house parties. But in the process they developed a garden that probably rivals their paintings and objets d’art for quality.

Read on to find out how they did it…

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A Garden of surprises: Upton House

deatil from Upton House from the South by Arthur Devis, Photo credit: National Trust,

deatil from Upton House from the South by Arthur Devis, Photo credit: National Trust,

Upton is a surprise: let me correct that, Upton is a series of surprises. I happened to be passing reasonably close by and was looking for somewhere to break the journey. So I checked the  flash new National Trust website to see what the gardens  (and the tearoom) had to offer.   I discovered that Upton had been the country house of the Samuel family, and that in 1939 they moved themselves out and  moved their family bank and its staff from London in.   The house is currently transformed back to the 1940s so that you can see how the staff lived and worked for the duration of the war.   It’s a great idea and quite rightly has won awards.

A little more digging on the website and I discovered that Walter Samuel, 2nd Viscount Bearsted, whose father had founded Shell, and his wife Dorothea Micholls, were not only immensely wealthy, but great philanthropists and  perceptive  and discerning art collectors.  The house is effectively a mini National Gallery  with the  extraordinary range of internationally important pictures that they collected. Upton should be on every art lovers itinerary. But what has it to offer to a garden enthusiast?

The Graden Front of Upton House David Marsh, August 2016

The Garden Front of Upton House
David Marsh, August 2016

Well, apart from one short piece about Kitty Lloyd-Jones [of whom more in next weeks post]  the National Trust website contained nothing obvious relating to the gardens, and certainly nothing to make  you want to  visit, so I wasn’t expecting anything other than a bog standard lawn and a few run of the mill borders, tacked-on  to prettify the setting of the art collection.  So read on to find out why I’m bothering to write, and write enthusiastically, about  what I originally supposed would be a nondescript sort of place… Continue reading

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John Abercrombie

detail from the frontispiece of Every Man His Own Gardener, 1800 edition

detail from the frontispiece of Every Man His Own Gardener, 1800 edition

John Abercrombie was one of the 18th century’s most prolific gardening writers, although he was initially shy of his talents and didn’t really start writing until he was 50 and even then under someone else’s name.  But from there he went from strength to strength publishing  a string of  books, all based on his lifelong experience as a practical hands-on gardener.  From our point of view its sad they are all virtually unillustrated but they  continued to be popular, running into dozens of editions and in print for  decades after his death. 

At the age of 72 he was shown   in gentlemanly dress holding a large spade in the new engraved frontispiece for the 16th edition of his most famous book Every Man His Own Gardener first published in 1767.

He was not just a gardener and a writer but also a chain-smoking, tea drinking vegetarian, so read on to find out more… Continue reading

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William Sawrey Gilpin

detail fromWilliam Sawrey Gilpin (English, 1762–1843) Trees and Castle, ca. 1790–1810.https://www.indiana.edu/~iuam/provenance/view.php?id=650

detail fromWilliam Sawrey Gilpin 
Trees and Castle, ca. 1790–1810. https://www.indiana.edu/~iuam/provenance/view.php?id=650

My trip to Westonbirt last month introduced me to the theories of the early 19thc landscape designer William Sawrey Gilpin, who I’d heard of, but who had never really figured on my garden history radar.

Gilpin had a career as an artist before at the age of 58 launching himself into landscape gardening. He quickly became  the greatest exponent of the Picturesque school of landscape design, and effectively the historical intermediary between Humphry Repton and Sir Charles Barry.

from Observations on the River Wye (1782)

from Observations on the River Wye (1782)

So read on to find more about this elusive man and his work…

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Achille Duchêne @ Blenheim

Version 2A drizzly overcast day in mid-November might not be the ideal time to see the gardens at Blenheim but I was taking advantage of an offer of free entry to the gardens and park via my RHS membership, so a drizzly overcast day in mid-November it was!   As the coachloads of Japanese tourists set off to tour the palace we pulled up our coat collars and set off. A few minutes later  we stopped in amazement as we walked through a passageway from the entrance court and emerged on the edge of the  water gardens designed by Achille Duchêne for the 9th Duke of Marlborough between 1925 and 1931.

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How ironic that a palace built to honour the military triumphs of John Churchill, first Duke of Marlborough, over Louis XIV, should later be so gloriously ornamented by gardens created in the grandest of French styles by one of the grandest of  French designers.

David Marsh, Nov 2016

All the photos are by David Marsh, November 2016 unless otherwise stated. Read on to find out more….

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