Burchell at the Cape

The last post looked at William Burchell, the son of a London nurseryman who after emigrating to St Helena in 1805, began the process of cataloguing its flora and fauna and setting up a botanic garden. Frustrated by the attitude of successive governors to his work  in 1810, he decided to leave to following an offer to become the botanist in Britain’s newly acquired colony at the Cape of Good Hope.

Even though the job didn’t in the end materialise, Burchell was to remain there for 5 years and wrote up his extensive journeys  in Travels in the Interior of Southern Africa, published in 1822-24,  a readable and detailed account of his 4,500 miles of  exploration and collecting. Apart from giving”a faithful picture of occurrences and observations… even to the minutest particular” on every aspect of life, it is illustrated with his lively sketches and watercolours.

Burchell  was, unlike many other plants hunters, not answerable to  any organization or private patron so he could  explore study and collect wherever, whatever and however he liked, and in the process he made an extraordinary contribution to science, and botany in particular.

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William Burchell and St Helena

“The American Aloe on St Helena” 17th Feb 1807, including a self-portrait by William Burchell, from Burchell’s Travels [full ref at end]

St Helena is one of the most remote places on Earth, 4,000 kilometres (2,500 miles) east of Rio de Janeiro and  almost 2000 kilometres (1,210 miles) from the nearest bit of  the African coast.  It’s probably most famous for being Napoleon’s place of exile.  Until the weekly air service started in 2017 it took 6 days by boat to Cape Town, which you might think was a long time, until you consider that  it took the ex-emperor ten weeks to get there on a ship from Britain.

But it ought to be more famous for its extraordinary plant life, and probably would have been if it hadn’t all been driven to the extinction or the very verge of it by man…and his goats!

The first person to attempt an inventory of its natural history  was William Burchell, a Londoner, who emigrated there in the early 19thc and tried to establish a botanic garden, before moving on to South Africa and becoming  probably  “the most prolific collector of botanical and zoological specimens” the world had then known.

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Garden Party Games – Edwardian style

from Chatterbox magazine, 1915

It was my birthday recently but unfortunately the weather wasn’t quite suitable for organising a garden party to celebrate. Nevertheless  with the weather warming up again I thought I would offer some tried and tested seasonal advice about using your garden to entertain but please remember “one of the most important features of successful entertaining is that guests be kept so well employed in enjoying themselves that the time never has a chance to drag.”

“In order to ensure this happy state of things it is a wise plan to arrange for some really good games beforehand, especially when there are young folk to be included in the invitations. The more original the plan of amusement the better, for novelty is always pleasing. Therefore, a few suggestions adaptable for a garden party may perhaps be welcome to readers in search of something fresh in this direction.”

I can’t say I’ve ever tried any of these activities but they were apparently all the rage for “young people”  in 1907!

from The Girl’s Realm, 1907

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Hollar’s Fashionable Landscapes

Wenceslaus Hollar, Self-portrait, 1647 University of Toronto

It’s strange how much of our visual knowledge of what mid-17thc England was like comes through the work of non-English artists, like Van Dyke  and Wenceslaus Hollar.  Whereas most people have heard of Van Dyke  I’m not so sure if the same is true of Hollar. This is partly because Van Dyke painted large flashy canvases portraying  the court and aristocratic world before the Civil War whereas Hollar usually worked on a miniature scale. Yet he  created prints and drawings of amazing accuracy and detail even if they  require careful study to appreciate his talent.  His work also required great technical skill but, because  printmaking smacks of artisanry rather than artistry, it has traditionally been considered a lesser art form.

However Hollar was the greatest engraver and print maker of the 17thc, indeed, arguably amongst the greatest of all time, and his work tells its own story. His range of interests and output was vast, and about 400 drawings 3000 different etchings and many sketches  and watercolours also survive. Between them they provide an amazing insight into 17thc life.

Todays’ post is a look at some of his  fashion prints, particularly a series of four full length figures he produced in  1643 and 1644, one for each season, and before you wonder why it sounds as if I’m intending to tell you about 17thc women’s clothes on a garden history blog take a look at the backgrounds… Continue reading

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Lord & Lady Penzance show their breeding…

Todays post is about a senior Victorian divorce and ecclesiastical court judge who  was a fellow of the Royal Geographical and Anthropological Societies,  and, believe it or not,  a member of the Cannibal Club.  He also thought that Francis Bacon wrote Shakespeare and apparently had more than a passing interest in pornography.  So perhaps not the sort of person you’d expect to read about here, and especially not over your breakfast on a Saturday morning.  But today’s star turn was all of those things and more – and in particular  he was a keen gardener.

He was Lord Penzance and you might recall his name from nursery catalogues in connection with rampant thorny roses.

Lord Penzance

So read on to discover more about his interest in the queen of flowers but not the other things. [ However I’ve added some  references at the end  if you want to pursue them further under your own steam.]

Lady Penzance

 

 

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