Ready to go Miss?

Today’s post is about the result of a conversation in the very late 19thc between Miss J.S. Turner “a fellow of the Royal Horticultural Society and a well-known trainer and lecturer in horticulture” and Mrs Evelyn Cecil, who is probably better known as Alicia Amherst the pioneer garden historian.

The discussion concerned  the training of women in horticulture, but unlike the settlement at Bredon’s Norton which I wrote about a few weeks back, it was not aimed at women who wanted to earn their living as Independent gardeners, but at those who wanted to emigrate.[ And that’s before Brexit]

Mrs Cecil suggested that “one of the great wants of our colonies was well-trained  lady-like girls who would make good wives.” Miss Turner’s “idea of a way out of the difficulty was to establish a training school where ladies could be made familiar with the old-fashioned farmhouse life.”  And early in 1907 their efforts resulted in the opening of Arlesey House Country and Colonial Training School for Ladies.

From The Girl’s Realm, 1907

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The View from Room 35….

View from the window
Pushkin Museum Moscow

Last week’s post about finding a display of Barbie dolls in  an historic Spanish garden was a good indication of how varied garden history can be, and today’s is another. In fact today’s is hardly about gardens at all in the conventional sense, but don’t let that put you off.

The Garden Trust has as its tagline or motto “Research Campaign Conserve”.  To highlight  the research aspect of our work we offer two real opportunities to showcase new findings.   One is a new research symposium and the other an essay prize. Over the years they’ve covered places and people in Britain but have increasingly been international in outlook.

 [Entries welcome for this year – for details follow the links above. Closing date May 5th]

As I arrived at the posh hotel I was staying in [bargain winter break prices I hasten to add] I was reminded of  new work  from each of those forums.  At our 2015 conference we heard a paper about villa gardens on the Ligurian coast of Italy, and recently there was an essay prize entry on the  exotic  gardens created for new grand hotels along the French Riviera in the late 19th.   As it happens I wasn’t in either France or Italy although there is a strong French influence, as you will have realised if you’ve worked out who did the painting and inspired the pattern that was  on part of my  bedroom wall and ceiling.

The pattern on part of the wall and the ceiling

So…. today’s starter for 10 is, apart from guessing the artist, is to guess where I wrote the draft of this post   Continue reading

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Barbie at the Botanics…

After last week’s rather serious post about emblematic gardens perhaps its time for something lighter so here’s the story of the surprise  I had last Thursday afternoon. I’m still not quite sure if it was one that caused more amusement than shock and horror, but you can judge that for yourself when I tell you I met Barbie and Ken and several of their friends.

Part of the surprise was because I was in the gardens of a beautiful 19thc villa in southern Spain, and part was because no-one else seemed to think it the slightest bit odd to have an iconic American toy used to interpret an historic Andalusian landscape.

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William Style and his garden…

William Style of Langley, unknown artist, 1636, Tate Britain

I used to think early 17thc portraits were rather dull and dreary, and in galleries would  generally walk past them rather fast. They had neither the austere simplicity of many early Tudor portraits, nor the flamboyant excesses of Stuart ones.  Of course I should have known better because when I began researching gardens of the period for my Ph.D I began to realise what I was missing.  Take this picture of William Style of Langley which is on display in Tate Britain.  At first sight its a portrait of  a well-dressed and presumably wealthy man, standing at the entrance to his house and looking out over an elaborately structural “green” garden.  And of course it can be read like that – but only superficially. Looking beyond the obvious reveals a lot more… especially the fact that pictures can be just as deceptive and complex as words. Continue reading

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How Orchids became a Librarian’s Nightmare

Renanthera coccinea, the first orchid in Bateman’ collection.
photo from Flickr by Luiz Filipe Varella, 2017

It maybe a strange title but this is really the story of a rich young man and his passion for plants or rather one particular kind of plant.  James Bateman was the grandson and son of rich industrialists who had made their money out of  steam power, coal and iron. They owned mills and mines before moving into banks and land. All this meant  James did not have to lift a finger to be, and stay, rich, and that he could indulge his love of  plants.

His parents were keen gardeners at their home, Knypersley Hall in Staffordshire and even as a student at Oxford James was collecting and learning about plants. In particular he visited the nursery there of Thomas Fairburn who had been gardener to Joseph Banks. Fairburn introduced him to orchids:

“Of course, I fell in love at first sight, and as Mr. Fairburn asked only a guinea for his plant (high prices not yet in vogue), it soon changed hands and travelled with me to Knypersley, when the Christmas holidays began. I had caught my first orchid….”

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