2018 on the blog

 

Did you realise we’re walking through a Repton landscape?

This is a bonus post to celebrate the fact that it’s now 5 years to the day that I started this blog,  to let you know how its been doing in 2018, and to give you the chance to test your memory with the annual quiz.

Readership  has continued to rise: about 73,000 hits in 2018 compared with 46,000 hits last year,  37,000 in 2016,   25,000 in 2015 and about 7000 in 2014.

How did the National Trust get away with building a toboggan runs through that Grade 2* listed Gothic garden lodge?

There are now 377 signed up subscribers, and this is the 256th post which means I’ve probably written about half a million words of wisdom.  [And with apologies for the terrible captions today].

They’ll never miss just one from their pinetum…

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Goodbye Mr Repton

Repton-logo

2018 has been a pretty extraordinary year for Humphry. He has surprised many – if not most of us – by his skill and understanding not just of landscapes and gardens but also by his ability to sell his ideas to clients.  Thanks to the amazing amount of research that has gone on in County Gardens Trusts all round the country during the year  I’ve gone – like most of us I suspect –  from considerable ignorance of his work to  a real appreciation of his significance.   You can read more about these latest discoveries in the range of new publications our local researchers  have produced and which listed on our website.

But all good things come to an end and although I’ve got about another dozen posts on Repton in various stages of completion I think this will be the last for a while to give us all a chance to recover and mitigate the risk of being Humphed out.

This final post seems particularly appropriate because although it’s about a great piece of design, even theatre, it reminds us that  despite his own very high opinion of his ability Humphry didn’t always get his own way.

Before…

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The Glastonbury Thorn

One of the 1986 Christmas stamps

One of the things that historians like to boast about is their devotion to evidence.  Facts without corroboration are merely assertions. Good stories without witness statements or documentary support are just that: good stories.  The further back in time one goes the harder it is to prove anything really, so legend and history often battle it out. And legend often has a firmer grip on the imagination than the hard reality of historical fact.

The tree flowers twice a year, at Easter and Christmas Credit: ITV News

That’s certainly the case  for the story of  the Glastonbury Thorn.  There, fact and fiction clash nicely, with historical truth being a lot less romantic than the accretions of good storytelling, so maybe we should just read into it whatever we like and wish that it was true….  which we’re used to doing at this time of year anyway!

Merry Christmas!

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A Novel Club for Country Loving Girls

I had to stifle laughter in the hallowed silence of the Rare Books Reading Room at the British Library when I first began leafing through the magazine that inspired this post. I was searching for an interview with the Victorian painter E.A.Rowe for last week’s post  in, of all places, The Girl’s Realm for 1907.

The 4 thick volumes were unindexed so I had to turn thousands of pages and in the process was both intrigued and amused by the wealth of other stuff thought suitable for teenage girls in the Edwardian era. Some  I would have expected: serial stories, celebrity interviews and profiles, cookery, pets, travel, arts and crafts but there were also some unexpected articles  which might have widened vision  such as pieces on girls caving and mountaineering.. and who could resist looking at “What a girl does with breadcrumb” – [the answer might surprise you so since its really not connected with garden history  I’ve added it at the very end of this post.]  There were also outlines of the careers of women in all fields – swimming, singing, writing, science, farming…. and even horticulture.

from The Girl’s Realm 1909

So I started to investigate a bit further and discovered Victoria Woodhull Martin  and the story behind The Novel Club for Country Loving Girls … Continue reading

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Ernest Arthur Rowe: Painting the Old English Garden

The Artist’s House and Garden at Rusthall, Kent

I’ve been surprised over the five years I’ve been writing this blog how much people enjoy reading about obscure [to the modern day at least]  artists from the great golden age of gardening and garden painting. Posts on Beatrice Parsons and George Elgood still get read regularly and so when I saw some pictures by  their contemporary E.A.Rowe  and heard how “he spent his life in passing from one garden beautiful to another to capture in each a vision of loveliness and mirror it on canvas.” I decide to investigate further…

Luckily Rowe was  meticulous about keeping a record of almost everything he did. There are large numbers of his diaries, letters and notebooks still extant, held by his descendants and they reveal how tough it was or could be  if you were a painter who specialised in gardens.

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